6th Annual Art Students’ Juried Exhibition: Selections!

Congratulations to the students selected for this year’s Annual Art Students’ Exhibition! Thanks to Leigh Anne Chambers, Executive Director of Rawls Museum Arts, for serving as this year’s juror.

Where applicable, selected works must be framed, ready to hang with hardware installed.

Unselected work and selected works that need framing should be collected Sunday, March 23, 1:00–5:00 pm or Monday, March 24, 9:00 am–5:00 pm.

Selected work must be returned to the gallery ready for installation Monday–Wednesday March 24–26, 11:00 am–5:00 pm.

End of the show: all works must be collected on Monday, April 21 or Tuesday April 22, 9:00 am–5:00 pm.

George Bailey: End Table
Kristen Brown: Untitled I
Maggie Bush: Legacy Gifts From Mom; The Object Itself (as is but framed)

Alexis Cooper: Anticipate
Jessica Copeland: Unfocus Focus
Angela Corpuz: Steel Sculpture
Shanna Crockett: Book cover; Ceramic piece
Kyler Davis: The Bridge Between
Yvonne Frederick: Remember the Time; Unbutton Up
Laura Hines: Installation
Korey Jackson: Illuminated Texture
Russell Jones: Untitled
Stephanie LiPuma: AMO-12
Chris Madden: Secret Recipe
Allison Mah: Glen Echo Park
Bryan Mason: Tree of Life; Fields of Gold
Maria Moeller: Seven Deadly Sins in an Enchanted Forest
Ashley Parrish: White Midnight
Ashley Patrick: Penelope
Laura Phillips: Colored pencil cat
Stephanie Rameriz: The Hand You Are Dealt
Christina Rey: Broken Home; Fun Lights
Kenneth Riley: Despair
Taylor Roy: Between Lines; Tipping; America (video)
Micah Scott: Not Adam
Will Sprueill: Portrait of A Cross Fitter; Blue Fire
Zach Stille: Self Portrait
Chandler Tallon: Flow; Energized Evolution; Yin Yang
Tricia Tobias: Civil War Land in Bad Decline
Ashley Unmussing: What Is?
Angie Van Dyke: Tea Time; Larvae Container; Hammered
Jack VanDyke: Grandfather’s Reliquary; Organ Maiden
Amber Vaughn: I Think I Can
Brittany Waters: Lilly
Amelia Wood: Comply (Tonka truck)

Photo students to Richmond

photoclass

On Friday, February 15, Photography Three and Photo Seminar II students made a special field trip to Richmond to view photography shows in town. Artists Brian Ulrich and Susan Worsham spoke to students about their work at their respective shows at VCU’s Anderson Gallery and Candela Gallery.

(L to R) Stephanie Ramirez, Ashley Parrish, Taylor Roy, Ali Hamilton, Maribel Dunning, Kate Swartz, Jenny Stoudt, Leah Austin, Robbin Love, Jessica Fee, Christy Landrum, Greta Pratt, Amanda Bradley, Chali Cameron, Bryan Ruiz, Elliot Fisher, Stephan Hancock.

ODU Art Students Participate in “Diamond Dust”

ODU Studio Art and Art History students are participating in the creation of Diamond Dust, artist Judith Braun‘s 50-foot mural in progress at the Chrysler Museum’s Waitzer Community Gallery, February 11–17. A live stream of the work in progress can be found here. The participating students are Stephanie Eley, Rachel Gaus, Abigail Johnson, Karl Jones, Karine Lombardo, Nicole Marlowe, Oktawian Otlewski, Holly Pim, Larissa Williams, Rali Manouk, Heather Prestage, Bianca Rawlings, and Elyse Lovelace. (Photo of Judith Braun by Cesar Delgado Wixan.)

Study Abroad Summer 2012

Paris/London
European Baroque Art & Architecture
May 17–May 29
ARTH 495/595, 3 credits
Robert Wojtowicz, Ph.D.

This program will examine European art and architecture of the seventeenth and early eighteenth centuries. An outgrowth of the Renaissance interest in the study of nature, the revival of classicism, and the rise of art academies, the Baroque was the first truly global art movement, spreading from its original base in Rome to northern and western European countries and to their colonies around the world. The cities selected for this trip – Paris and London – are where many of the most important Baroque architects’ and artists’ works are located. Most architectural works will, of course, be visited on site; many art works will be found in these cities’ museums, churches, and other public spaces.

Teaching art history is often a vicarious experience: digital images projected in a darkened classroom substitute for physical works of art or architecture, while maps, plans, and diagrams substitute for urban settings. Only through regional field trips can you experience works first-hand, which will immeasurably enhance your understanding of a work of art’s formal properties and its surrounding context. This program will expose you to a wealth of art and architecture unavailable in the United States.

Prerequisite: ARTH 121A or ARTH 212
Students must register and pay for summer 2012 credit to participate in this program.

Cost includes:  Airfare from/to Norfolk, airport transfers, additional ground transportation, accommodations, all breakfasts, entrance fees, study abroad fee, travel insurance.

Not included: ODU tuition for 3 credits (participants are required to register for credit), meals (other than those indicated above), and expenses of a personal nature.

*ODU scholarships: Dean’s Education Abroad Awards are available for the first 12 qualified students accepted for this program. Eligibility: Full-time ODU student, 2.5 GPA or higher, approval of participation by the Office of Study Abroad and the program’s faculty leader.

Estimated cost without scholarship: $3,985. For some students, regular student financial aid support can be increased due to the additional cost of studying abroad. See the Office of Study Abroad for a program budget and referral to Student Financial Aid staff who assist study abroad students.

Payment Schedule: $250 deposit upon application; first half payment due February 10, 2012 and second half payment due by March 23, 2012.

Highlights:
Louvre
Les Invalides
Chateau de Versailles
Antwerp
St. Paul’s Cathedral
National Gallery of Art
Greenwich

Itinerary*
17 May: Depart Norfolk
18 May: Arrive Paris (afternoon tour of city)
19 May: Paris: Louvre Museum; Notre Dame; Ste. Chapelle; optional evening visit to Eiffel Tower (extra cost)
20 May: Paris: day trip to Versailles
21 May: Paris: Louvre; d’Orsay Museum; Les Invalides
22 May: Paris: Pompidou Center; Quai Branly Museum; optional evening visit to Montmartre (free)
23 May: Paris to London: stop thru Antwerp: Rubens’ House; Cathedral; Royal Museum of Fine Art/on to London
24 May: London: Banqueting House; Westminster Abbey; National Gallery
25 May: London: Tower; ½ day trip to Greenwich; optional evening visit to Tate Modern (free)
26 May: London: Kensington Palace; ½ day trip to Hampton Court; optional evening visit to Covent Garden/West End Theater (extra cost)
27 May: London: British Museum; Sir John Soane’s Museum; Wallace Collection
28 May: Return to Norfolk

*Subject to change

Faculty Leader:
Robert Wojtowicz has been an ODU professor of Art History for 21 years and is now the Associate Dean for Research & Graduate Studies in the College of Arts and Letters. His research specialty is the history of architecture and urbanism in Europe and North America.

Priority application deadline:
February 10, 2012

Estimated Cost:
$3,585 with scholarship*

Eligibility:
Good academic standing

For application and further information, contact:
Professor Robert Wojtowicz
Art History Program
9034 Batten Arts & Letters
757-683-6077
rwojtowi@odu.edu
or
Office of Study Abroad
2006 Dragas Hall
49th St. & Hampton Blvd.
Old Dominion University
Norfolk, VA  23529-0093
757-683-5378
studyabroad@odu.edu

Richard Nickel in 100 TEAPOTS V at Baltimore Clayworks

Art Education professor Richard Nickel was recently juried in the  into 100 TEAPOTS at Baltimore Clayworks The exhibition was juried by Nick Joerling a full-time studio potter who has maintained a studio in Penland, North Carolina  since the early 80′s. He received a B.A. in History from the University of Dayton, Ohio, and an M.F.A. in Ceramics from Louisiana State University in 1986.
Jurors Statement: My dictionary says a teapot is “A covered pot with a spout.” I smile at the judiciousness of that definition, like characterizing a human being as an upright body with a face. Buried in both succinct summations is the rich unending variety of mechanics, spirit, aesthetics, emotion, intellect. I like the blue-collar aspect of pots, that they do the every day work of carrying, containing, delivering, but can also “step out” and stimulate the mind and imagination. I like the pots that make good use of the constraints of utility, and I like the pots that push against those boundaries: pots that entertain some dicey possibilities. In my own studio I hope for pots that have qualities of sensuality, empathy, humor and risk.
100 Teapots V will be featured in the Baltimore Clayworks Exhibition Gallery from January 15–February 27, 2011
The opening reception will be Saturday, January 15, 2011, 6:00–8:00PM

Baltimore Clayworks Exhibition Online:

http://www.baltimoreclayworks.org/images/exhibition/11/100teapotsV/index.html

Jiwon Lee accomplished a 400 pages book translation

Looking Closer 3 Korean Translation

그래픽 디자인 들여다보기 3

Edited by Michael Bierut, Jessica Helfand, Steven Heller and Rick Poynor
Translated and designed by Jiwon Lee
(Viz&Biz, Seoul, 2010)

TRANSFORMATION: Saturday Morning Art Classes! Fall 2010 for Students Grades 5-12

The Old Dominion University Art Education program presents:
TRANSFORMATION: Saturday Morning Art Classes!
Fall 2010 for Students Grades 5-12
Saturday, November 13, 2010 at 9:00 AM – Saturday, November 20, 2010 at 2:30 PM (ET)
Norfolk, VA

Inspired by contemporary artists, art education can be a transformative experience.

The ODU Art Education Program is hosting classes written by ODU Art Education Students to educate students and the public on the power of transformation through art.  Students will be encouraged to make meaningful connections to contemporary artists and through creative art studio experiences, gain understanding of how artists today can express ideas and personal points of view through the big idea of “Transformation”.

To register online go to this link:

http://www.eventbrite.com/event/820736846